182 CHINA - Historic Ensemble of the Potala Palace, Lhasa (UNESCO)

The Potala Palace symbolizes Tibetan Buddhism and its central role in the traditional administration of Tibet. Also founded in the 7th century, the Jokhang Temple Monastery is an exceptional Buddhist religious complex. Norbulingka, the Dalai Lama's former summer palace, constructed in the 18th century, is a masterpiece of Tibetan art. The beauty and originality of the architecture of these three sites, their rich ornamentation and harmonious integration in a striking landscape, add to their historic and religious interest. Construction of the Potala Palace began at the time of Songtsen of the Thubet (Tubo) dynasty in the 7th century AD. It was rebuilt in the mid-17th century by the 5th Dalai Lama in a campaign that lasted 30 years, reaching its present size in the years that followed, as a result of repeated renovation and expansion. The Potala is located on Red Mountain, 3,700 m above sea level, in the centre of the Lhasa valley. It covers an area of over 130,000 m2 and stands more than 110 m high. The White palace is approached by a winding road leading to an open square in front of the palace. Its central section is the East Main Hall, where all the main ceremonies take place. The throne of the Dalai Lama is on the north side of the hall, the walls of which are covered with paintings depicting religious and historical themes. At the top of the White Palace is the personal suite of the Dalai Lama. The Red Palace lies to the west of the White Palace. Its purpose is to house the stupas holding the remains of the Dalai Lamas. It also contains many Buddha and sutra halls. To the west of the Red Palace is the Namgyel Dratshang, the private monastery of the Dalai Lama. Other important components of the Potala complex are the squares to the north and south and the massive palace walls, built from rammed earth and stone and pierced by gates on the east, south and west sides. Building of the Jokhang Temple Monastery began in the 7th century CE, during the Tang dynasty in China. The Tibetan imperial court eagerly espoused Buddhism when it was introduced,

The site of the Temple Monastery was selected, according to legend, when the cart in which Wen Cheng was bringing the statue of Sakyamuni sank into the mud by Wotang Lake. Divination identified this as the site of the Dragon Palace, the malign influence of which could only be counteracted by the building of a monastery. The foundation stone was laid in 647 and the first major reconstruction took place in the early 11th century. During the century following the reunification of the Tibetan kingdom by the Sakya dynasty in the mid-13th century, a number of new developments took place. These included extension of the Hall of Buddha Sakyamuni and construction of a new entrance and the Hall of Buddha Dharmapala. The Temple Monastery is in the centre of the old town of Lhasa. It comprises essentially an entrance porch, a courtyard and a Buddhist hall, surrounded by accommodation for monks and storehouses on all four sides. The buildings are constructed of wood and stone. The 7th Dalai Lama is reported to have had health problems and he used to come here for a cure. The construction of Norbulingka started in 1751 with the Uya Palace. Successive Dalai Lamas continued building pavilions, palaces and halls, making it their summer residence, and soon the site became another religious, political, and cultural centre of Tibet, after the Potala Palace. Norbulingka (treasure garden) is located at the bank of the Lhasa River about 2 km west of the Potala Palace. The site consists of a large garden with several palaces, halls, and pavilions, amounting to some 36 ha. The area is composed of five sections.

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? (UNESCO Forum) sent from ? (China) on 14.01.2014

181 BELARUS - Architectural, Residential and Cultural Complex of the Radziwill family at Nesvizh

174 GERMANY - Wartburg Castle (UNESCO WHS)

The Castle of Wartburg is an outstanding monument of the feudal period in central Europe. It is rich in cultural associations, most notably its role as the place of exile of Martin Luther, who composed his German translation of the New Testament there. It is also a powerful symbol of German integration and unity. The legendary creation of the castle is attributed to Count Ludwig der Springer. The first steps in its construction were taken in 1067, and it became one of the key points in the early years of Ludovician sovereignty. This sovereignty grew more firmly established during the first half of the 12th century. Raised to the dignity of Landgraves, the Ludovicians supported the policies of the Stauffen emperors. The building of the palace in the second half of the 12th century illustrates their status as Princes of the Empire. In 1227 Heinrich Raspe IV, the brother of Ludwig IV, succeeded him and, espousing the pope's cause, was appointed King of Germany on the initiative of Innocent IV. His death in 1247 ended the Ludovician dynasty. The Margrave of Wettin, Heinrich von Meissen, took possession of Wartburg. The transfer of the seat of power to Gotha and subsequently to Weimar at the beginning of the 15th century marked the beginning of the castle's decline. From the 16th century onwards, the castle was kept more or less in a state of repair; although abandoned as a seat of power, its strategic importance was nonetheless highlighted several times. After the Napoleonic wars, a national sentiment emerged which revelled in the image of ancient Germany as symbolized by Wartburg Castle.

In the first half of the 19th century, on the initiative of the Grand Duke of Saxony, the entire site was completely renovated: the remains of the palace were raised from their ruins, the curtain wall restored, and the remainder of the buildings reconstructed under the supervision of architect Hugo von Ritgen. The large parts played by assumptions in the reconstruction have rather more to do with the romantic imagination than with historical reality. In 1945, the bombing of Eisenach spared Wartburg, although the castle was later pillaged by Soviet troops. The German Democratic Republic made Wartburg Castle a national monument; since the reunification of Germany, restoration work has concentrated primarily on the interiors and on the problems of preserving the stonework on the palace facades. The castle occupies a rocky spur looking north and south, in the midst of the forest that looks down over the city of Eisenach. Its layout corresponds in essence to that of the original fortress, particularly the palace, the ramparts, the South Tower, and the outworks, which are now partially buried or in ruins. In architectural terms, The rocky spur is reached from the northern end, occupied by a tower with a drawbridge, followed by a number of outbuildings which form an outer courtyard. Next follows the lower courtyard, the main features of which are the keep and the palace, onto which the Knights' Baths back. The South Tower marks the farther end of the spur. The centre of the lower courtyard is occupied by a cistern.

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Nordseekrabbe (UNESCO Forum) sent from Spaden (Germany) on 19.01.2014

161 BELARUS - Mir Castle Complex (UNESCO)

The region in which Mir Castle stands has a long history of political and cultural confrontation and coalescence, which is graphically represented in the form and appearance of the ensemble. This is a fertile region in the geographical centre of Europe, at the crossroads of the most important trade routes, and at the same time at the epicentre of crucial European and global military conflicts between neighbouring powers with different religious and cultural traditions. The short period of history starting in the late 15th century was marked by a combination of unprecedented changes in the religious, humanitarian and economic spheres. The Mir Castle complex in its setting vividly symbolizes the history of Belarus and, as such, it is one of the major national symbols of the country. Construction of the castle by the Ilyinichi family began at the end of the 15th century, in Gothic style; it was subsequently extended and reconstructed. The initial work consisted of building the walls and towers in Gothic style, but work came to an end for some unknown reason. Building had been completed by the beginning of the 17th century with the addition of palatial accommodation, with some Renaissance features, after it had passed to the Radzivill family. Following sieges in 1655 and 1706 reconstruction work involved the addition of some Baroque features. After being abandoned for almost a century and suffering severe damage during the Napoleonic period, the castle was restored at the end of the 19th century, with the addition of a number of other elements and the landscaping of the surrounding area as a park. Its present form is graphic testimony to an often turbulent history. The old castle survived as a romantic ruin.

The Mir Castle complex is situated on the bank of a small lake at the confluence of the Miryanka river and a small tributary. The fortified walls of the castle form an irregular quadrilateral; there are four exterior corner towers with hipped roofs rising to five storeys and a six-storey external gate tower on the western side. The facades are in brick, with recessed painted plasterwork, and the window and door frames and the balconies are sandstone. The roofs are tiled, some of the tiling being glazed. Near the castle is the Chapel-Crypt of the Dukes of Svyatopolk-Mirsky. Its facade is decorated with a mosaic panel depicting the image of Christ, made from multicoloured tesserae. Other features are the watchman's house, close to the north of chapel crypt; the palace annex built in the late 19th century, which is located in the landscape park area with stuccoed and decorated facades. The ruins of the main palace building are situated at the eastern outskirts of the complex and are not currently in use. The 19th-century chapel is a tiny stone stuccoed building. The memorial on the site of the massacre of the Mir ghetto prisoners lies in the northern part of the complex, to the east of the former Italian garden.

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Extremely_Loud (UNESCO Forum) sent from ? (Belarus) on ?

152 CZECH REPUBLIC - Litomyšl Castle (UNESCO)

Litomyšl Castle is an outstanding and immaculately preserved example of the arcade castle, a type of building first developed in Italy and modified in the Czech lands to create an evolved form of special architectural quality. It illustrates in an exceptional way the aristocratic residences of central Europe in the Renaissance and their subsequent development under the influence of new artistic movements. There has been a settlement since at least the 10th century at Litomyšl, which is located at an important communications junction on the main road between Bohemia and Moravia, with its fortified core on the hill where the castle now stands. A document of 1398 contains the first reference to an 'old palace' and castle at Litomyšl. Archaeological and historical investigations have revealed remnants of the medieval structure beneath and within the Renaissance castle. In 1425 the town was conquered after a siege by the Hussites. Restoration was undertaken at the end of the Hussite Wars by the new owners of Litomyšl, the Kostka family of Postupice. It was damaged by fire in 1460, in 1546 and it was almost completely gutted after a third fire, in 1560. The ruined structure was granted in 1567 to the Vratislav family of Pernštejn, who received a royal grant to reconstruct it. Work began in 1568 under the supervision of Jan Baptista Avostalis (Giovanni Battista Avostalli), who was joined by his brother Oldřich (Ulrico). Most of the work had been completed by 1580. The architect František Maximilián Kaňka was responsible for considerable modifications from 1719 onwards in the High Baroque style. Major alterations took place in the interior in 1792-96, to the designs of Jan Kryštof Habich, but he was careful to preserve the fine Renaissance gables. Since that time there have been no changes of any consequence in the structure, design or decoration of the castle.

Litomyšl Castle was originally a Renaissance arcade-castle of the type first developed in Italy and then adopted and greatly developed in central Europe in the 16th century. Its design and decoration are particularly fine, including the later High Baroque features added in the 18th century. The castle is a four-winged, three-storeyed structure with an asymmetrical disposition. The western wing is the largest, whereas the southern wing is no more than a two-storeyed arcaded gallery to close the square second courtyard (a feature that is unique to Litomyšl). This groin-vaulted arcading continues round the western and eastern sides of the courtyard. The south-eastern corner of the eastern wing contains the castle chapel. Of the features in the interior of the castle one of the most striking is the fine neoclassical theatre from 1796-97 in the western wing. Constructed entirely of wood, it can seat 150 spectators in nine loggias and its lower floor. The original painted decoration of the auditorium, stage decorations, and stage machinery have survived intact. The Renaissance main staircase of the castle is located in this wing, which houses some finely proportioned Renaissance rooms decorated for the most part in neoclassical style in the 18th century. The other two wings have comparable interiors, basically Renaissance in form and with lavish late Baroque or neoclassical ornamentation in the form of elaborate plasterwork and wall and ceiling paintings. The paintings simulate three-dimensional compositions with ornamental mouldings from Roman antiquity. The paintings are coordinated from one room to the next. The buildings associated with the castle were all built or rebuilt during the course of the modifications that the castle itself underwent over time, and this is reflected in their architectural styles. Among the ancillary buildings, the most interesting is the Brewery, which lies to the south of the first courtyard. Originally constructed as a counterpart to the castle, with sgraffito decoration, it was substantially reconstructed after the 1728 fire and received what is its present appearance, which blends elements of high Baroque and neoclassicism, after the 1775 fire.

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Petr Wohlmuth (direct swap) sent from Prague (Czech Republic) on 15.02.2014

053 UNITED KINGDOM - Edinburgh Castle (WHS)

This postcard is definitly one of my all time favorites. Edinburgh Castle is only one of the UNESCO World Heritage Site which has the official name "Old and New Towns of Edinburgh". Edinburgh Castle marks the centre of the Old Town.
Edinburgh Castle is an historic fortress which dominates the skyline of the city of Edinburgh, Scotland from its position on the Castle Rock. Archaeologists have established human occupation of the rock since at least the Iron Age (2nd century AD), although the nature of the early settlement is unclear. There has been a royal castle on the rock since at least the reign of David I in the 12th century and the site continued to be a royal residence until the Union of the Crowns in 1603. From the 15th century the castle's residential role declined and by the 17th century it was principally used as military barracks with a large garrision. Its importance as a part of Scotland's national heritage was recognised increasingly from the early 19th century onwards and various restoration programmes have been carried out over the past century and a half. As one of the most important strongholds in the Kingdom of Scotland, Edinburgh Castle was involved in many historical conflicts from the Wars of Scottish Independence in the 14th century to the Jacobite Rising of 1745. It has been besieged, both successfully and unsuccessfully, on several occasions.

Few of the present buildings pre-date the Lang Siege of the 16th century, when the medieval defences were largely destroyed by artillery bombardment. The most notable exceptions are St Margaret's Chapel from the early 12th century, which is regarded as the oldest building in Edinburgh, the Royal Palace and the early-16th-century Great Hall, although the interiors have been much altered from the mid-Victorian period onwards. The castle also houses the Scottish regalia, known as the Honours of Scotland and is the site of the Scottish National War Memorial and the National War Museum of Scotland. The British army is still responsible for some parts of the castle, although its represence is now largely ceremonial and administrative.

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pcbuyer (postcrossing) sent from Gourock (UK, Scotland) on 25.10.2013

047 JAPAN - Himeji-jo (WHS)

Himeji-jo (or Himeji Castle) is a hiltop Japanese castle complex located in Himeji, in Hyogo Prefecture, Japan. The castle is regarded as the finest survivng example of prototypical Japanese Castle architecture, comprising a network of 83 buildings with advanced defensive systems from the feudal period. The castle is frequently known as Hakuro-jo ("White Egret Castle") or Shirasagi-jo ("White Heron Castle") because of its brilliant white exterior and supposed resemblence to a bird taking flight.

Himeji Castle dates to 1333, when Akamatsu Norimura built a fort on top of Himeyama Castle in 1346 and the remodeled into Himeji Castle two centuries later. Himeji Castle was then significantly remodeled in 1581 by Toyotomi Hideyoshi, who added a three-story castle keep. In 1600, Tokugawa leyasu awarded the castle to Ikeda Terumasa for his help in the battle of Sekigahara and Ikeda completely rebuilt the castle from 1601 to 1609, expanding it into a large castle complex. Several buildings were later added to the castle complex by Honda Tadamasa from 1617 to 1618. For over 400 years, Himeji Castle has remained intact, even throughout the extensive bombing of Himeji in World War II and natural disasters such as the 1995 Great Hanshin earthquake.

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Mami Tateno (direct swap) sent from Tama City (Japan) on 06.10.2013

030 FRANCE - Historic Fortified City of Carcassonne (WHS)

Carcassonne is a fortifed French town in the Aude department of which it is the prefecture, om the fromer province of Languedoc. Carcassonne was founded by the Visigoths in the fifth century, though the Romans had fortified the settlement earlier. The fortress, which was thoroughly restored in 1853 by the theorist and architect Eugène Viollet-le-Duc, was added to the UNESCO list of World Heritage Sites in 1997. The folk etymology - involving a chatelaine names Carcas, a ruse ending a siege and the joyous ringing of bells ("Carcas sona") - though memoralized in a neo-Gothic sculpture of Mme. Carcas on a column near the Narbonne Gate, is of modern invention.

The Cité de Carcassonne is located on a hill on the right bank of the River Aude, in the south-east part of the city proper. Founded during the Gallo-Roman period, the citadel derives its reputation from its 3 kilometres (1.9 mi) long double surrounding walls interpersed by 52 towers. The town has abou 2500 years of history and has seen the Romans, Visigoths, Saracens and Crusaders. The town was annexed to the kingdom of France in 1247 A.D. It provided a strong  French frontier between France and the Crown of Aragon. In 1659 after the Treaty of the Pyrenees, the province of Roussillon became a part of France and the town lost its military significance. Fortifications were abandoned and the town became one of the economic centres of France, concentrating on the woollen textile industry.

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There is no sender, because I bought it there in May 2013

011 AUSTRIA - City of Graz - Historic Centre and Schloss Eggenberg (WHS)

Graz is located in Sout-Eastern Austria, only 150km South of Vienna and around 60km North of Slovenia. Graz is with around 270 000 inhabitants the biggest city behind Vienna. In the roman empire, Graz has been a popular agricultural city. 

The City of Graz – Historic Centre and Schloss Eggenberg bear witness to an exemplary model of the living heritage of a central European urban complex influenced by the secular presence of the Habsburgs and the cultural and artistic role played by the main aristocratic families. They are a harmonious blend of the architectural styles and artistic movements that have succeeded each other from the Middle Ages until the 18th century, from the many neighbouring regions of Central and Mediterranean Europe. They embody a diversified and highly comprehensive ensemble of architectural, decorative and landscape examples of these interchanges of influence.

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The stamp shows the country Austria and where it is located in Europe.

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Susula Unfried (direct swap), sent from Vienna (Austria) on 04.09.2013